Jane Eyre is being raised by her Aunt Reed, after the death of her parents. Jane's mother's brother was Mr. Reed, who had died in the red room. Her Aunt had made a death bed promise to her dying husband, to look after Jane. Of course, this didn't happen. Jane's whole existence with her Aunt and cousins was horrible. Jane was mistreated and abused at the hands of family, that should have loved and protected...
Jane Eyre is being raised by her Aunt Reed, after the death of her parents. Jane's mother's brother was Mr. Reed, who had died in the red room. Her Aunt had made a death bed promise to her dying husband, to look after Jane. Of course, this didn't happen. Jane's whole existence with her Aunt and cousins was horrible. Jane was mistreated and abused at the hands of family, that should have loved and protected her. The red room itself, was a frightening room for any child. Knowing that her uncle had died in the room made Jane have second thoughts of going to this room. She had heard the stories of it being haunted. When she tries to defend herself from the cruelty of her cousin, John, Jane is sent to the red room, as a punishment. She is to be locked in the room all night. Jane imagines that if her uncle were still alive he would treat her with kindness, then her imagination runs away with the thoughts of the dead.
" I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity."
Jane faints and becomes hysterical inside the room. Her aunt thinks she is full of evil and sends her to Lowood School. From this point forward, Jane will recall the red room anytime she feels alone or ostracized by the people around her. The red room symbolizes a type of prison for Jane, not a physical prison, but an emotional prison. From such a young age, Jane has been treated as though she doesn't matter. Her feelings don't matter. People use and abuse her, yet deep inside of Jane is a strong quiet strength, that she must call upon.
Several times throughout the story, we see Jane having to fight the memories of the red room. It still haunts her, even after she has grown into womanhood. Whenever she feels like her independence or her self worth is in jeopardy is being threatened, Jane recalls the horrors she felt inside the red room. From finding her inner strength, Jane is able to overcome the red room and finally is able to put the memories to rest, as they should be.
It is non rare to meet effectual and acute utilizations of infinite within 19th century literature. The celebrated novel _Jane Eyre_ by Charlotte Bronte is one of the finest illustrations of a fictional work with exuberant utilizations of infinite in the period. The red-room in which the small Jane Eyre is locked as a penalty for her panicked defence of herself against her cousin John Reed is the first notable usage of infinite in the novel. Not merely does it mean to the reader it is a Gothic novel they are reading but the room serves as a symbol for a figure of significances as good.
Charlotte Bronte introduces the room – “one of the largest and stateliest Chamberss in the mansion” – to her readers with a Gothic painted image ( 13 ) . One would necessitate to do small attempt to understand why this room is called “the red-room. ” Inside the room are assorted niceties of the ruddy colour and of some other hot colourss. It has “a bed supported on monolithic pillars of mahogany. hung with drapes of deep ruddy damask. ” which stood out “like a Tabernacle in the centre” ( 13 ) . Aside from a tabular array at the nutrient of the bed “covered with a ruby fabric. ” the toilet-table and chairs are made of “darkly polished old mahogany” ( 13 ) . More interestingly. the room is besides carpeted in ruddy.
In add-on. “the two big Windowss. with their blinds ever drawn down. were half shrouded in festoons and falls of similar curtain. ” and “the walls were a soft dun coloring material with a bloom of pink in it” ( 13 ) . That Jane’s uncle Reed spent the last proceedingss of his life in the room. along with the fact that the topographic point is chilly. remote. quiet. and rarely entered. adds up to its internal atmospheric horror and enigma: “a sense of drab consecration had guarded it from frequent intrusion” ( 14 ) .
Apart from all the ruddy colourss were the piled-up mattresses and pillows of the bed. which “rose high. ” “glared white. ” and being “spread with a snowy Marseilles counterpane” ( 13 ) . Barely less outstanding was an ample cushiony easy-chair near the caput of the bed. besides white” ( 13 ) . The small being of white in this hell-resembled ruddy topographic point may be a metaphor for the being of the small Jane Eyre under the barbarous intervention of her aunt and her cousins at Gateshead. It may. every bit good. be a metaphor for what happens within her head as the guiltless portion of it. like that of any other 10 twelvemonth old kid. is confronting her increasing annoyance. jitteriness. and panic inside the room.
No Oklahoman has she moved across the looking glass than she pays attending to a “strange small figure” gazing at her “with a white face and weaponries specking the somberness. and glistening eyes of fright traveling where all else was still. ” every bit good as “the deepness it revealed” ( 14 ) . Perceiving herself in the mirror to be a spirit “half fairy” and “half elf. ” she saw a combination of perceptual experiences in which the former is how she perceives herself to be. and the latter is how a troublesome kid she is every bit perceived by others ( 14 ) .
Therefore. this represents the really beginning of Jane’s self-characterization as an independent adult female since her perceptual experience of herself seems to be so vulnerable in forepart of others’ that she sees such a combination of perceptual experiences. She is in the procedure of internally fighting to be her true individual. seeking non to yield to her negative and disturbed ideas. By stemming a “rapid haste of retrospective thought” before being swallowed by “the blue nowadays. ” she is set uping her ain individuality every bit good as self-respect ( 14 ) . Therefore. the room besides resembles the adversity Jane must get the better of in order to keep and develop her ain autonomy every bit good as unity.
The longer Jane is imprisoned in the red-room. disturbed feelings and ideas seem to take over her head more and more. She keeps believing of herself as a “revolted slave. ” unjustly punished and therefore isolated as “a strife in the family” ( 15 ) . Her confined place at Gateshead has become clear to her. Her caput is full of inquiries she asks herself such as “Why was I ever enduring. ever browbeaten. ever accused. for of all time condemned? Why could I ne’er delight? Why was it useless to seek to win any one’s favor? ” ( 14 )
She so switches her ideas to her asleep uncle. She imagines Mr. Reed. the brother of her ain female parent. to whom he promised to look after Jane after her female parent passed off. would hold ne’er maltreated her. She continues to believe that her uncle may happen her current mistreatment unacceptable and would desire to look to revenge her. At this point. she believes in the presence of his spirit in the room. and shrieks.
Bessie and Abbot so open the room. Jane begs them non to go forth her in the room entirely with the shade. but Mrs. Reed claims that Jane merely wants to flim-flam them into let go ofing her. Finally. Jane swoons and falls into unconsciousness. From that point on. although she is released afterwards. she still is stuck in fiscal lack. excluded from society. and distanced from love. Whenever her unity is challenged subsequently. readers know that she will inescapably believe back to the red-room as a symbol of her long permanent agony.
Another possible kernel of the ruddy room may be a connexion between Jane and the character Bertha Mason subsequently on in the novel. If Jane is imprisoned in the red-room. Bertha is locked in Rochester’s Attic. Both of them are unbroken absolutely isolated from the outside universe. However. whereas Jane is a sane person who generates rational ideas when being imprisoned. Bertha is an uncontrollably huffy adult female. Still. due to the passion and rebellion that they both possess. readers may still somehow sympathize with Bertha.
In a word. the red-room is among many profound utilizations of infinite in Charlotte Bronte’s _Jane Eyre_ . The room is the first obvious Gothic image painted in the novel with a sense of alarm and enigma. Besides. it resembles the feelings of fright and insecurities of the heroine non merely within the chapter but besides through ulterior events in the narrative. It is a prison of her independency and individuality formed by both the external hardships the society around her puts upon her and her negative feelings as reactions to those adversities. Merely after interrupting all such restraints can Jane accomplish her complete assurance and felicity.
Bronte . Charlotte. _Jane Eyre_ . 1847. Introd. Mark. Schorer. New York: New York UP. 1977. Print.